Through content analysis of photos taken in the direct aftermath of the devastating tornadoes that hit Woodward (1947), Snyder (1905), Peggs (1920), Antlers (1945), and Pryor (1942), it quickly became apparent which types of scenes people felt it was important to remember. By recording damage done to places of societal value, such as homes, churches, and community landmarks, photographers were able to ensure that they would become a part of the community’s social memory. These memories continue in the present, and many of these photographs are still being exhibited in a way that promotes conversation and highlights stories that are often outside of living memory. This leads to further observations and understandings of the incredible role tornadoes play in Oklahoma’s culture as a whole.